I then made a few refinements and reduced the mask’s hardness.Īfter pressing OK to bring this selection back to a new layer in Photoshop, I then duplicated the original background layer. Here’s what I did in ReMask using the Blue Primary brush to create an outline and then the red fill tool to fill in the background (cut). New to this type of editing technique, I decided to bring the image into Topaz ReMask to isolate the fireworks and then use the clone stamp tool in Photoshop to blend in the pure black sky into the smoke. With a brush at a reduced opacity you can make the blur as strong or light as you’d like. To toggle between the white (keep) brush and black (remove) brush, simply press the X key. So the white brush will be painting in the blur effect, while the black section of the mask will remove the effect. Just remember, white = keep & black = remove. When painting in the effect, you’ll see white appear in the vector mask in your layers panel. I then inverted the mask (ctrl/cmd + I) and then used the brush tool (B) to paint in the blur on the right side of the image, and at a lighter opacity to the left side. For a quick background blur, I applied a tilt-shift blur as shown, focusing specifically on the right side of the image.īack in Photoshop, I added a vector mask to the layer. Once the flower was extracted, I then brought the background (original) image into Topaz Lens Effects, which contains several blur options including selective bokeh, tilt-shift and creative blur. I therefore extracted the sunflower from its background using Topaz ReMask 4.
The tree was then enhanced with Topaz Clarity and Clean, while the background was manipulated with Topaz Lens Effects.
Topaz remask 2 tutorial how to#
She claims, “Working selectively with light on different areas of the image lays at the core of my processing workflow, thus selections and masking are among the most vital tools I use to create a photograph.”Īs you can see above, Gospodarou was able to isolate the subject with Topaz ReMask so that she could specifically work with the sky and background, without affecting the architecture.Īnother example of selective adjustments that may spark some ideas can be found in this tutorial, covering how to transform your image into a surreal piece of art, where ReMask was used to isolate a tree.
Topaz remask 2 tutorial software#
It is an epitome of control in the editing workflow.įine art architectural photographer Julia Anna Gospodarou also uses masking software in her post-processing workflow for selective adjustments. Selective adjustments are an excellent way to enhance or edit particular areas of your image without affecting other areas. If you are looking for a quick mask or some masked objects for a composite, ReMask 2 is a great tool.Ĭreating Complex Masks with Topaz ReMask 3.“There is one in every crowd” by Gary Lamott It is simple enough for even a novice Photoshop user to produce good results and it includes both a 32-bit & 64-bit version. By adding a “real” interface, ReMask 2 is finally a real plugin. Topaz ReMask 2 is a logical next step for this program. With the Mask complete, just click the OK button in the lower right corner to finalize the mask and return to Photoshop. With the Topaz Magic Brush checked, you can now use the Red Brush to remove areas or the Green Brush to restore areas. (A real button would have made more sense.)Īfter Computing the trimask areas, you can click on the Keep tab at the top of the plugin window to fine tune the mask. With both the Blue Border and the Red area defined, just select either High Quality or Draft in the Compute area. With the Blue Border identified, use the Red Bucket to determine which area is to be removed (inside the blue border or outside). Red to Delete, Green to Keep and Blue to Process This Blue area will be processed ReMask to identify colors to keep and colors to remove.Ģ. You can vary the size of the brush just like in Photoshop (slider or keys). With Topaz ReMask 2 running, just start with the Blue Brush and outline the object to be masked. You must duplicate the Layer for use (and safety). ReMask 2 will not function on the Background Layer. ReMask still uses a “trimask” to identify the masked areas, but the new interface streamlines its creation. Now, just 3-months later, Topaz ReMask 2 has been released with a real plugin interface.
When is a Photoshop plugin not a plugin? When it is really a set of Actions.
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